The expansive projects that Washington Post Executive Editor Marty Baron announced today is good news for narrative journalists in two ways: The paper plans to expand the Sunday magazine (we hope it resurfaces as a home for deeply … Read more
Buzz Bissinger’s “The Killing Trail” — his unremittingly bleak 1995 account of “fag-bashing” in Texas — was his first story for Vanity Fair. (He is still a contributor, and has a story in the February … Read more
On New Year’s Eve, The Big Roundtable published a piece that you might have missed. Steve Kandell, the features director at BuzzFeed, wrote about the freedoms and challenges of working in digital narrative. The “50 or so” … Read more
The Grantland/”Dr. V’s Magical Putter” controversy morphed into a debate today over the nature and value of longform after the New York Times‘ Jonathan Mahler argued, in an op-ed, that “when you fetishize — as opposed to value … Read more
Editor’s note: Let’s start the year with a bit of narrative alignment. From the Storyboard archives, here’s the Orange County Register’s Rebecca Allen, explaining the difference between a news feature and narrative: A narrative is a story … Read more
If only we could start an international narrative-journalism conference crawl — sort of like a pub crawl, but with pencils and notebooks — here’s how we’d map out the year: “Power of Narrative: Staying Savvy, Skilled and Solvent in Journalism’s Wired … Read more
To be a journalist on Twitter in the past four days has meant taking part, one way or another, in one of the more heated story dissections in recent memory. Last Wednesday, Grantland published “Dr. V’s Magical Putter,” … Read more
Every fellow who comes through Lippmann House is a storyteller of a sort, whether with words or visuals or data or sound. The Class of 2014 arrived from across journalistic disciplines, and from a wide range of backgrounds*, as you’ll … Read more
Katharine Boo begins her 2003 New Yorker piece “The Marriage Cure” with one of my all-time favorite opening lines: One July morning last year in Oklahoma City, in a public-housing project named Sooner Haven, twenty-two-year-old Kim Henderson pulled a pair … Read more
Part 1 of our recap of the Tow Center’s recent Future of Digital Longform conference, at Columbia University, included Emily Bell talking with Joe Sexton about the impact of “Snow Fall” on narrative storytelling; and Chartbeat’s Josh … Read more