Editor’s note: We are trying out a new feature. Call it writing practice (with a nod to Natalie Goldberg’s “Writing Down the Bones,” where I first encountered the term). Or virtual workshopping. Or maybe simply shop class. The goal is to … Read more
WHY IS THIS SO GREAT? Or … is it? This might cause eyerolls as a “great sentence” pick. It’s not what most would call high literature, and likely will be breezed by in a fast read. Some might even call … Read more
Editor’s note: The tragic news last week of suicides by creative celebrities Kate Spade and Anthony Bourdain captured headlines and emotions. But despair does not discriminate. Storyboard contributor Julia Shipley offers this view into the tragedy that stalks an everyday … Read more
Why is it so great? I have come to love bagpipes, perhaps because they conjur special moments in my life, perhaps because they are rooted in my maternal heritage. But I know many cringe at their screech and whine. Outdoors … Read more
Nigeria is a country rich in stories and in storytelling. Nigerians have long traditions of sharing their testimonies through literature and visual communication. The work of writers like Chinua Achebe and photographers like Solomon Osagie Alonge plays a crucial role … Read more
Why is it great? I read Allison’s “Bastard Out of Carolina” when it was first published, about the time I was covering a range of social justice issues – gender, race, class, sexual orientation. I was clueless to who … Read more
Sex robots, violence in Mosul and the plan for Queen Elizabeth’s inevitable death. Those were among the subjects of the best stories last year on The Guardian’s eclectic longform site, The Long Read. “We don’t have a simple formula,” … Read more
I’m writing this from a mash-up of a magazine newsroom in Bucharest. The walls are smelly and stained from a recent flood in the apartment above. Desks are cluttered with grungy coffee cups, cold pizza crusts, giveaway pens. Ghosts of … Read more